Hampshire Open Studios 2015

This year I am very excited to be part of this fantastic tradition where over 200 artists and makers in the Hampshire area open up their studios, homes and other venues to show and sell work, talk to the public and demonstrate their working practices.  I have been beavering away getting work finished, framing and mounting, and of course sorting out my venue which has been kindly provided by Studentnofee Property Agency at 24 University Road, Southampton, SO17 1TJ.

open studios flyer

I shall be in situ daily from 22nd to 31st August, 10am until 5pm, possibly drawing, possibly stitching and probably feeding my current obsession with double knitting, and am looking forward to showing you my work and talking about what inspires me and the various mixed media techniques I use.  Do rest assured though that if you would rather be left to your own devices to quietly walk around without my chatter in your ear I shall have plenty of work to do so can leave you to it if you would prefer!  I am also happy to provide a (free of charge) knitting surgery if any of my visitors have UFOs that they are struggling with so bring your knitting, and can do demonstrations on the WIP I’ll have with me if the techniques I am using interest you.

"Nicky Barfoot mixed media pictures"

Some of the framed mixed media pictures which will be on display

The items I’ll have on display will include mixed media work, prints, textile pictures both framed and unframed, and wall mounted sculptures.

"Doggy Doodle by Nicky Barfoot"

“Bert” hand stitch on calico by Nicky Barfoot

If you are a regular follower of my posts you will already know that subject matter is usually (but not exclusively!) canine, feline or life inspired.

"Nicky Barfoot knitted picture"

“Frankie in grey” knitted picture

I will also have a few hand knitted accessories on display such as this double sided scarf in a cashmere and wool yarn (pink) and a rare sheep breed yarn (green).

"hand knitted double sided scarf"

Nicky Barfoot hand knitted double sided scarf

And of course, many of my designs are available as limited edition greeting cards and these will be available to purchase if any take your fancy.

"Nicky Barfoot limited edition printed cards"

Nicky Barfoot limited edition printed cards

Despite the manic last minute preparations, I’m now really looking forward to this event and it would be great to see some of you lovely people next week. The only downside is that as I am exhibiting on my own, I won’t be able to visit any of the other open studios this year.  Mmm maybe I can employ a stand in on one day?  So if you do arrive at the door and are greeted by a bald, bearded six foot plus male, he has to live and breath my art work (being subjected to it on a constant basis) so rest assured that he probably knows as much if not more about it than I do!

Mixed Media Messing

As alluded to in a previous post, I have recently been forced into a clear up/out of nearly 20 years worth of stuff. While this might sound like it would have a negative impact on creativity due to diversion of time and energy (and during the most intensive week that was probably true), it has since led to a surge of productivity due to the distraction caused by reacquaintance with my ever expanding library of inspirational reading.

Two books in particular have driven me to obsessional making over the past week. The first is “Creative Illustration Workshop for mixed media artists” by Katherine Dunn, one of those wonderful spiral bound books full of fabulous photographs of this illustrator’s quirky work.

DSCN4773

Apart from thoroughly enjoying drooling over her inspirational illustrations, the most helpful thing I picked up from her hints and tips is to “honor your muses” (page 48).  I find I can from time to time lose direction, caused by concern with what I think other people would value as suitable subject matter in my work (sometimes driven by an observer’s throw away comment and sometimes totally made up by my inner Critic). This never works well for me, as without full involvement and engagement in a subject matter, the resulting output is lacking.  While not everyone likes dogs, cats and life studies, if an abstract landscape (for example) doesn’t do it for me I’m hardly likely to do it justice am I? So with Ms Dunn’s permission I have for the time being put aside concerns that my art isn’t pleasing other people and am indulging in some work purely for my own amusement, entertainment and satisfaction. 

So, the first of this weekend’s finished outputs is this mixed media piece called “Hebe Dreaming”.  During the Summer months my Weimaraner can be found in the garden either flat out bathing in her sun puddle by the garage, or she can barely be seen as she stands with her head in our overgrown hebe, quite literally a hive of activity with bees, bugs and butterflies, just watching the activity around her.  When people ask me what type of dogs I have, they often don’t know what a Weimaraner is and I am forced to attempt a description of her colour using words such as grey, green, pink, purple, brown……. Basically, Weimaraners adopt the colour of the vegetation around them and this camouflage effect of her colouring was the inspiration behind the picture.

"mixed media weimaraner picture on water colour paper"

“Hebe dreaming” mixed media on watercolour paper

The second book that has grabbed my attention this weekend is “Playing with Sketches” by Whitney Sherman, another talented illustrator.

DSCN4774

Whereas the previous book inspired me visually, this one has inspired me intellectually (?) having me working methodically through the exercises.  One task was to create a “tile” for repeat purposes by cutting up a simple drawing into four pieces and rearranging it to form a frame for another drawing. This is what I came up with using a fish as the original sketch, and creating a physical tile using a combination of ink, pen and collage, then digitally arranging and repeating by scanning the original into Photoshop.

"Something's Fishy repeat pattern"

“Something’s fishy” digital reproduction of mixed media on watercolour paper

I am rather taken with this technique, not least as for each exercise you get two pieces of work, one being the original tile for framing purposes etc and the other a digital piece where the applications are endless (at the moment I’m thinking the creation of a custom fabric via Spoonflower.com) so, dear reader, I will stop here as I have another “tile” to create before close of play today involving a chopped up and rearranged bunch of flowers and a poodle. Au revoir.

Pooch Portrait, hoighty toighty style

Forced into a major clear out over the past few weeks, I have had to throw away my collection of arty magazines.  This, as some of you will appreciate, has resulted in much distraction leafing through said treasures prior to deciding which should be saved and which should be thrown.  Whilst embarking on this long winded filing process, I came upon a picture of William Larkin’s “Portrait of Lady Anne Clifford” (1618) and inspiration struck!  All I could see in place of the non smiling, slightly smug face gazing at me with unblinking eyes was my Weimaraner’s snooty stare and I just had to pay homage to it with a hoighty toighty, mixed media pooch portrait.

"mixed media Weimaraner portrait"

Portrait of Lady Saskia: stitched water colour and mixed media on cotton rag paper

I now can’t wait to get going on an homage to Cornelis Johnson’s “Portrait of an Unknown Gentleman” (1631) featuring Alf the ridiculous Cocker Spaniel in place of the ginger bearded man in his lace collared jacket.  First things first though, where did I “file” the rest of my vintage lace………..