Indian Summer in London Town
Last week I had a hectic but fun time stewarding our “Missing Elements” exhibition with my Room 6 colleagues at the Ally Pally Knit & Stitch Show. As I’m now rehydrated (it was very warm) and have caught up on missed sleep, I thought I’d share my highlights from this year’s event with you.
2018 Ally Pally Knitting and Stitching Show
As usual Upper Street Events put on a great do. There was an inspirational line up of artists in the Textile Galleries where we were honoured to have been allocated exhibition space. I didn’t have much time to go around the show in it’s entirety as I was too busy chatting with lots of lovely visitors. However, I did get to look at the other exhibitions in the mornings prior to opening once our own space was ready and my caffeine needs had been seen to. I’ve included some of the work that resonated with me below.
This artist was new to me and I found her mix of social commentary and mostly monochromatic, illustrative imagery and sculpture compelling. She was encouraging audience participation by asking them questions and using free machine embroidery to record the answers on to an automaton’s clothing.
The Harm Chair, featured above, was a finished piece from a similar exercise where she had asked “what keeps you in your chair and not mixing with others?” on social media.
I shall be following this artist with interest to see what question she poses next.
Jenni Dutton’s Dementia Darnings
I’m not sure Jenni was quite prepared for the amount of emotion that her large scale portraits of her mother would evoke in her visitors. When I popped my head around the partition on the first day she was handing out the last few sheets from an already empty box of tissues.
It was quite difficult for me to spend time in her exhibition space as so many of us could relate to her lovingly rendered and honest images. I must admit that I did have a little cry and had to snuffle away when I viewed the pieces of her work which reminded me of the drawings I made of my Dad during his last few days.
On a more cheerful note Dawn Hemming’s large hand knitted, one piece, circular wall hangings were a delightful mix of motif and colour. They were named inspired by place and some had been made during travel. A lot of pins were used to hang these beauties on the walls (Dawn’s “assistant” was relieved and pleased with himself in equal measures I think after the hanging was completed) with the result a welcome splash of colour to greet visitors as they entered the hall. This one was definitely a mood lifter.
Studio 21 had an interesting and varied exhibition as usual, this time based on colour. I enjoyed Ross Belton’s contributions, with their tribal art feel and textural richness.
The final artist I wanted to mention here is Emily Tull and her hand stitched thread paintings. I was particularly drawn to the unfinished feel of the work. It gave me a sense of transience and a glimpse into the perpetual motion of the lives of the people she was portraying. The piece shown above is inspired by layers of ripped wallpaper and how the inhabitants of homes leave behind a bit of themselves when they move.
And finally, thank you to all the wonderful folks who visited our Missing Elements exhibition. It was great to hear what you thought of it and a particular delight to see how it inspired the budding young textile artists who visited with their schools and colleges.
The exhibition will be travelling to the Dublin show in the next few weeks. Unfortunately I won’t be able to attend but if you are going, my Room 6 colleagues will be there to meet and greet and answer any questions about the work on display.