Tribute

Over the past month I have been working on probably the hardest piece of art for me, to date. It represents my humble tribute to an extraordinary man who’s sudden and unexpected death this March has left so many of us in a shocked state of bereavement. It is difficult to categorise what he meant to me personally: friend, mentor, brother….. none of these quite describe his constant presence in my life over the past 30 years. He was there helping and advising me during the pivotal moments in my adulthood. He taught me how to revise for my first degree, introduced me to competitive sport and the hard work required to train for it, helped me through the stress of buying my house by negotiating on my behalf, and found me a business premises to work from when I changed career.

He was also an encouraging if somewhat brutally honest supporter of my art endeavours (if you didn’t really want to know the answer you wouldn’t ask his opinion) always making an effort to attend exhibitions where I had work on show and was the first person to buy one of my knitted paintings.

A high achiever in everything he did, his no nonsense hard work attitude was an inspiration to so many of the people he interacted with, both within the local business community and particularly the national triathlon and cycling communities. As it was originally through cross country running that I met him it seemed most fitting to me to celebrate his sporting achievements in this piece of work as competitive sport was such a major part of his life from runner to triathlete and finally, cyclist. One of his most significant achievements was as holder of the British Ironman record. This 8:15:21 time stood for 13 years until it was broken in 2008. In 2010 he was also national 12 hour cycling time trial champion covering 275.01 miles in the allocated time.

So here it is, I hope he would have approved. Made with love for John, Karen and especially Erica (the yin to his yang).  RIP Julian x

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“Tribute” hand knitted and stitched in alpaca/merino and silk mohair

 

Exhibition news and other stuff

Oops, it’s been a while. Spring has sprung, stuff is a-growing and those without lady dogs have probably already mown their lawn a few times (our back lawn doesn’t have much grass left on it these days due to the muddy craters created by piddling pooches).

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Spring has sprung

Last time I blogged I told you about the Canine Partners textile challenge and exhibition. I am delighted to report that both of my pieces sold, along with lots of other lovely work, making the event enough of a success for the charity that they are looking to hold another one. I’ll keep you posted…..

I also mentioned a rather exciting course I was doing throughout February with talented artist Este Macleod . Every day at 9am we logged in to a class room portal where we were given a creative task to do, based on the letters of the alphabet. I found some of these quite testing, which was my main reason for undertaking the course as I am usually more inclined to draw a literal representation of what is in front of me rather than exercise my imagination, but great fun and rather liberating.

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Faces created from letters of the alphabet

I particularly enjoyed the relief printing exercises using cardboard tubes (toilet roll innards but don’t tell the Health and Safety police ;-)), cosmetic sponges (never had any use for these before!) and Golden’s high flow acrylic ink.

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Relief print, acrylic ink on paper

And, as it happens one of the looming deadlines for me last month was the annual Printmakers Exhibition held at the Oxmarket Gallery in Chichester so my experimentation with relief prints during this course was definitely time well spent and inspired the work I ended up submitting to the exhibition. It finishes on 3 April so if you are in the Chichester area there is still time to have a look.

I also spent much of February working on my submission to the Embroiderer’s Guild celebration of the 300th anniversary of Capability Brown. This was a new challenge for me as you will probably be aware that landscapes and gardens are not my usual subject matter. After a few false starts and a couple of knitting tangents (why is it that whenever I have an embroidery deadline I get a knitting itch and vice versa?) I created a piece of work based on Hydrangea Walk at Sir Harold Hillier Gardens where it will be on display in the exhibition room of Jermyn’s House at Hilliers with work from members of the Solent, Andover and Salisbury branches of the Guild from 11 April. It will also be at the Knitting and Stitching shows later in the year.

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“Hydrangea Walk” hand stitch, acrylic, pastel and fabric crayon on calico and vintage lace

And, the final exhibition I am excited to tell you about is taking place at the Ashcroft Arts Centre in Fareham, Hampshire from 10 to 30 April where I will be exhibiting my knitted life paintings and doggy heads. Talented textile artist Caroline Bell will also be exhibiting her work during this time. On the 10 April the centre is hosting a “Fabrics” celebration with workshops, stalls and demos from local textile artists and makers. I will be teaching a knitted jewellery workshop and also doing a demo of my work processes in the morning. It would be lovely to see you there.

I’ll leave you with my latest knitted life painting created for the exhibition at the Ashcroft Centre. Until next time…..

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“Private Dancer” hand knitted painting

Getting noticed in the digital age (or how to take a decent photo)

 

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Hand knitted Dog Blanket

The digital age can make getting one’s work seen by others so much easier in many respects as we no longer have to rely on an intermediary such as a magazine or gallery to promote us. While this is not good news from their point of view with so many galleries sadly closing down in recent years, it does mean that without the significant commission payments to the gallery from sale proceeds (usually about 50%), pricing work from the artist’s point of view is more straightforward (although never easy as how does one factor in the time to create a piece of work when that includes a lifetime of education, experimentation and training while getting to the point of being able to create said piece?) and the customer can often get a more affordable price.

However! In my personal experience I have found it is so much easier to sell a piece of work when someone can actually see it in the flesh (so to speak). I think this is partly due to a kind of image numbness one gets these days with the constant bombardment from social media streams and marketing campaigns. Any one who has sat in a coffee shop and observed the activity around them from the other customers who are rapidly scrolling down their i phone screens whilst trying to hold some kind of conversation with the person sat opposite them will understand what I mean by  this. But, I can’t deny that it is also largely due to what has been described in the past by the editor of a knitting magazine as my “terrible photographs!”.

So how do we get noticed in this environment? (Any one who knows the answer to this question please tell me). On the basis that good photos must help (and my 10 year old basic digital camera combined with a cluttered and poorly lit house just can’t do my work justice), last week I booked a professional photo shoot with the lovely Rob Fry  who took some fabulous shots of my work, including these of the dog blanket.

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Dog Blanket charts available from my Etsy shop

Now this is a luxury that I can’t afford on a regular basis but then I don’t have the funds to buy the equipment or training to do it myself either. So, after seeing the output from the shoot I’m afraid my response to my title “how to take a decent photo” has got to be (for me anyway), pay a professional 😉

Until next time…..

 

Harrogate Knit and Stitch Show 2015 (Yikes! What was I thinking?!)

I’m back! And what a fabulous week I’ve just had exhibiting at the Harrogate Knitting and Stitching show sharing stand TG623 with the lovely Becca Tansley of Alterknitive.  It may have been wet and windy but I still enjoyed my third visit to this picturesque spa town in North Yorkshire, possibly helped by the warm welcome and award winning breakfasts provided by Andy and Tracey at Wynnstay House, and according to Mr Barfoot, THE best coffee shop in the UK (and anyone who knows my better half realises that this is a well researched accolade) Hoxton North, which conveniently turns into a champagne bar in the evenings!

Anyway I digress, so back to the show.  After a 4am start last Wednesday morning (Mr B still hasn’t forgiven me for that!) and only a 1 hour delay sitting stationary on the M1 whilst a broken down lorry took up two out of the three lanes (rude!) at rush hour, we arrived at Harrogate International Centre to this.

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Photo credit Becca Tansley.

You can imagine what went through my head at this point? Yep you got it. Yikes! What was I thinking!?  But by the time we left at 6pm, thanks to the expert help and advice of Julia Neal of Velvet Beacon Ltd we had transformed to this.

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This was me

And this.

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Becca’s half of the stand (photo credit Becca Tansley)

Looking at my 2m by 1m share of our cubby hole now it is hard to believe the amount of effort that goes into putting something like this together. However, it is also difficult to describe what a buzz I got from seeing nine month’s worth of preparation (and panic) displayed professionally like this.  As a maker the opportunity to see a series of work in all its glory doesn’t happen that often and standing back it is extremely gratifying to be able to say to oneself, “Blimey, did I do that?”  And even better than that was the overwhelming appreciation both myself and Becca got from the thousands of lovely visitors who came by and came in.

So enough about us.  One of my favourite things about these shows is the other exhibitors.  We hadn’t been there five minutes on set up day before Kevin Powell came by for a catch up. I spent the previous two Harrogate Knit and Stitch shows as part of the UK Knitted Textile Awards on a stand next to the Spellbound Bead Company and had many an entertaining chat with Kev, mild mannered bead shop owner by day and Punk Rock star with the band Skimmer by night, usually about music or sharing anecdotes about our furry kids.  He also gave me a copy of Skimmer’s latest album, Baby Dinosaur, which if anything like their previous output will no doubt become my new favourite driving album.  After his comments that it is probably their best to date (and they’ve been around a while!) I’m looking forward to getting in the car later and having a listen.

Situated opposite us in the Textile Gallery was the Nicola Jarvis Studio, The Art of Embroidery. The stand was huge and when we got there they were busy putting up wallpaper and furnishing it with the most amazing wooden furniture.  The end result was a haven of calm in the midst of the show frenzy not unlike being in the drawing room of a large country house.  This impression was further enhanced by the wonderful Brian Hunt, a past student of Nicola’s who, despite the bustle and chaos of a show set up, sat tranquil in front of an embroidery loom engrossed in his technically superb stitching for much of the day.

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Brian Hunt stitching in the Nicola Jarvis Studio

I found out later in the week that Brian isn’t the only expert stitcher in his family.  That fabulous sweater he is wearing in the picture is one of his wife Helen Hunt’s creations. I saw the inside of that sweater folks, that lady knows her fairisle!

In another part of the Textile Gallery I discovered the work of talented felt maker Michala Gyetvai.  Not one usually attracted to landscapes in art, this has got to be one of my favourite pieces in the show. The title of the stand was Enchanted Landscapes and this one summed that up for me, invoking all sorts of fairytale esque narratives as I was drawn into its depths.

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“After India” by Michala Gyetvai 2015

Another piece of work that stopped me in my tracks to have a better look and more in line with my usual tastes was this winner of the Art Quilts category at the 2015 Festival of Quilts by Susan Orchin.

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See how these quirky quilted characters, winners of the 3d festival of quilts category, are also mesmerised by this piece.

And no trip to the Knitting and Stitching show would be complete without a little bit of retail therapy.  I didn’t have to venture out from the stand for some of my Christmas present purchases, but obviously I can’t say any more about those as the recipients may guess who they are after reading this and it would ruin the surprise.  I have had a couple of orders for the dog blanket in recent weeks so I also had the pleasure of sourcing some yarn.

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My new favourite yarn

And look what I found (and yes it feels even better than it looks!) The lovely ladies from the Wensleydale Longwool Sheep Shop guessed I might be a repeat offender as I came past most mornings for another look and a squidge, and gave me a shade card.  Good move ladies!

Right, that’s enough putting off the unpacking.  I also have a dog to pick up and all of those jobs I postponed until December to plan for.  Not to mention the other business to run.  But then I also have some lovely new yarn to play with.  Mmm, maybe there’s time for just one more coffee and a quick cast on before I get back to the real world.  Until next time……..

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“Do we really have to get the other dog back Mum? I quite like being the centre of attention”.

Dog Blanket: Hints and Tips for making up

A number of you lovely people who have bought the set of dog portrait knitting charts have asked me for some guidance on how I made up my blanket.  So if that is you, please read on for hints and tips on how I put the portraits together.

I used four balls of Rowan Creative Focus worsted (100g) (black) and seven Rowan Kid Classic (50g) (shade 885, cloudy).  Using 4mm needles and working on 48sts and 61 rows my portraits came out at 26cm square.

Please note that most of the charts are 48sts wide by 61 rows high. However when working out your tension be aware that the Retriever and Spaniel charts as printed are 49sts wide (61 rows high) and the Greyhound is 62 rows high.

My cable bit was worked separately on 12 sts as follows using 4mm needles:

Row 1: P1, k1, p1, k6, p1, k1, p1

Row 2: K1, p1, k1, p6, k1, p1, k1

Row 3: P1, k1, p1, C6F, p1, k1, p1

Row 4: K1, p1, k1, p6, k1, p1, k1

Row 5: P1, k1, p1, k6, p1, k1, p1

Row 6: K1, p1, k1, p6, k1, p1, k1

Repeating the above, I created six cable lengths that fitted the height of the portraits and attached them to the inside borders of the edge portraits and to either side of the central portraits.

I then made two more long cable borders to fit the entire inside width of the blanket and attached them.

I put a moss stitch external border around the whole blanket as follows: using 4mm needles and the black by picking up and knitting 48 sts per square and 7sts per cable band along the top and bottom of the blanket.  I worked 4cm in moss stitch, knitted a garter stitch turning row on the WS, changed to the grey and continued in stocking stitch for 9 more rows.  The side edges of the blanket were then picked up and knitted as per the top and bottom, adding in an extra 6sts at either end for the top and bottom border bands and completed in the same way.

Hope this helps, and I’ll leave you with the latest double knitting portrait: Kitty Cushion. Who says I don’t listen to feedback 😉

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Dog Blanket (but definitely not for muddy paws!)

Over the past month I have been a bit remiss in posting here due to the frantic production that has been required ahead of the Open Weekend at the Janice Barfoot Sugarcraft Centre 14 and 15 November (see previous post) and Harrogate Knit and Stitch show at the end of the month (what was I thinking!?)  However, I had to take some time away from stitching this morning as I am excited to share with you one of the things I have been beavering away making.  Remember my ongoing obsession with double knitting? Here is the latest product of this, my Dog Blanket (if either of my dogs goes any where near it there will be trouble!).

"dog portrait blanket by Nicky Barfoot"

“Dog Blanket” hand knitted in Rowan Creative Focus Worsted and Kid Classic

Featured in this collection (and working horizontally from left to right in the picture) are portraits of a Doberman, Boxer, Labrador, Weimaraner, Bull Terrier, Retriever, Spaniel, Husky and Greyhound. I’ve knitted my blanket (definitely NOT FOR DOGS) in a wonderful warm and soft combination of Rowan Creative Focus Worsted (the black) and Rowan Kid Classic (grey) and am now looking forward to relaxing in my chair this Christmas in front of a few films snuggled under my luxurious lap warmer perhaps with a cheeky little glass of port on the side table and a bit of stilton.

I have had the charts for each of the dog breeds in the blanket printed into A5 flyers so if you fancy having a go (they will work equally well for intarsia and double knitting) I will be selling them at Harrogate so do come visit stand TG623. I’m also happy to post leaflets out to any of you who won’t be able to buy in person but would still like to purchase so do drop me an e mail or PM me on Nicky Barfoot facebook page if you are interested.

Right, more caffeine required then back to manic stitching.  Hope to see some of you at the Sugarcraft Centre on 14 and 15 November for an open weekend of art and sugarcraft demonstrations, and at the Harrogate International Centre 26 to 29 November for the textile feast that is the Knitting and Stitching Show.

Ally Pally Knit and Stitch show 2015

The past few weeks have been filled with manic making as some exciting plans are now starting to hatch ahead of Harrogate Knit and Stitch show in November where I will be sharing a stand with the lovely Becca Tansley of Alterknitive.  More on this later.  In the meantime I wanted to share a few pictures from my quick visit to its sister show, Ally Pally, yesterday done in the name of research (and not at all a shopping opportunity!).  This was my first visit as a punter for ages having been on the other side as part of the Knitted Textile Awards in 2013 and 2014 and the Embroiderer’s Guild showcase in 2012 and it was a useful and enjoyable exercise to be reminded of the show experience from the customers point of view.

My first favourite gallery this year was Entwined memories, a beautifully curated exhibition by members of the Design and Crafts Council of Ireland.  I particularly liked this wonderful woven piece by Frances Crowe called Songs sung and stories told.

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Songs sung and stories told by Frances Crowe

Just a little walk up the textile gallery from this inspirational work was stitchmonger Kate Jenkins and her fabulous knitted fish stall.

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Kate Jenkins and her knitted fish stall

Now I’m not normally one to get excited about knitted versions of everyday things e.g. knitted cakes, vegetables etc (just ‘cos you can doesn’t mean you should right?), but I loved Kate’s fish. They manage to achieve a perfect balance between realism and the silliness that only knitting something can truly achieve.  And of course what female can resist the red sequiny bling of a knitted rock lobster?  If a number of household insurances hadn’t been up for renewal this month I would have come away with one of her framed pieces.  Sadly I had to settle for a card version of my favourite, Squid in Ink, which you can just see on the wall behind Kate’s shoulder in this picture.

The last of the three highlights of this year’s show for me which I wanted to share with you was the wonderful work of contemporary basket maker Stella Harding. I was blown away by this gallery which was full of amazing sculptural pieces woven from different materials including natural, wire, and my personal favourite collection, tape measures!

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Stella Harding: Geo-metric

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Stella Harding: “Another Star” and “Bling”

Of course it wasn’t all about research and inspiration. I caught up with some friends who were exhibiting, and there might have been a little shopping done as well.

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Ally Pally 2015 haul

As you can see I was very controlled. From left my Squid in Ink card from Kate Jenkins (don’t expect to receive this friends and family, this is going in my card collection and is not for sending until I can afford the original!), some lovely silk threads from Caroline Bell (definitely Weimaraner coloured!), a cheeky card from Embroiderer’s Guild Education Scholar Helen Dowdeswell, and pinking shears a requirement of one of the new projects I am currently working on. OK there might also have been four balls of yarn purchased but I’ll admit to those when I can show you what I have planned for them.

Overall a good day had, if a little rushed yesterday.  Now back to designing exhibition posters and stitching like a mad woman for the rest of the day (month!).  Until next time….

Stitched at Romsey Abbey

Just back from hanging a new piece of work in the beautiful setting of Romsey Abbey, Hampshire.  I was delighted to be invited by Susan Chapman to take part in a collaboration with Rum’s Eg gallery to fill this wonderful example of Norman architecture with stitch.

My piece, “Piggy in the Middle” was inspired by the weird and quirky corbels which adorn the outside of the abbey, combined with my allocated space of St Nicholas chapel.

"double sided hand knitted wall hanging"

“Piggy in the Middle” hand knitted double sided wall hanging in 100% wool by Nicky Barfoot

When I left this morning many wonderful examples of stitched art were still being hung. I can’t wait to see it when they are all up.

“Stitched” will be open from 30 September until 1 November and more information on exhibitors and their work can be found on the Rum’s Eg website. Hope you can make it.

Flying Solo: Diary of an Open Studios Virgin

Saturday 22 August (day1): 

5am: OK, five hours sleep is probably enough and I still have so much to do. Where did I put that list of last minute labels I need to make and stuff I need to bring? I hope our do it yourself exhibition panels are still standing and I don’t arrive to a floor covered in expensive art glass. At least the weather looks good.

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It’s all still up!

10am: Thank goodness, the only things on the floor are the Please do not Touch notices. So much for removable sticky dots. Shouldn’t the removable bit come into its own after use, not during.  Good job I have a huge wad of Blue Tack as back up. “I’ll be fine darling, thank you. See you later”.

12pm: Right, I’ve been around the room a few times straightening, polishing, rearranging. The door is open, the signs are up, the newsletter has been sent, the leaflets and booklets distributed. So come on people, where are you? At least my sister and nephew are coming today. Oh, missed that E mail: “The weather is too nice and I am too lazy”. Guess they’re not coming after all.

2pm: Yay, a car! Oh, it’s just the wonderful husband bearing coffee. “It’s dead out there” he says. “The motorway is a car park, guess everyone is off to the coast to make the most of this last day of summer weather.  It’s going to pee down for the rest of the week”.

Oh great!

2.30pm: Yay, another car.  It’s Tim and Em. You lovely people come on in. Have a wander. Tim, stop chatting to Marc about sport, this is supposed to be all about ME! Look again, don’t stop at once around the room. Ask ME questions, not him. You can talk bicycles anytime.

4.45pm: Can’t imagine anyone is coming now. Perhaps I’ll call it a day and go home. Oh, hang on, that’s the landlord crossing the road. Yikes, hope he’s OK with what I’ve done to his office. “Looks great in here!” “Your life drawing has come on a bit hasn’t it?”.

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“Little Lost Pup” illustrations, off to a new home.

45 minutes later, my first sale is done and I’m ready for a G&T.

Sunday 23 August (day 2): 

Can’t imagine anyone venturing out in this weather. They’ll all be tucked up at home having a PJ day. Oh well, gives me a bit of time to work out this 1940s fairisle pattern (I wonder when charts came in?). It really doesn’t look right. It doesn’t help that there are bits missing and, b*ll*cks (!) I think I know what is going on here. The pattern repeat in each row isn’t over the same stitches as the repeat above and below. Let’s start again. Where did I put those felt tip pens?

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Reinventing a 1940s fairisle pattern. We got there in the end!

Lunchtime: Young people are hovering around the Studentnofee sign outside.  They don’t look like Open Studios followers. They’re coming in. “Hi, are you here for Open Studios?” “Yes” (great, just goes to show one shouldn’t make snap judgements based on appearance then, although the accent suggests English isn’t their first language). They are looking somewhat confused at the stuff on the walls and realisation dawns. “Are you looking for accommodation?” “Yes!” they exclaim. “OK so it may say that this is a letting agent on the signs outside and etched into the glass on the door, and printed onto the blinds, but actually I’m an art exhibition”. More confused looks. “No houses” I say. “OK” they say. Off they go still looking confused.

Mid afternoon: Ooh, actual strangers who don’t look like students pulling up onto the forecourt. In they come.  “Hello, are you here for Open Studios?”. “Yes”. Result! A b line is made for the knitted dog heads. “These are great. I’m pleased we bothered coming. I’d give you more than a one star review”. Excuse me!?! What review? “On the Open Studios website you’ve had a one star review, so we nearly didn’t bother coming”. WHAT! I didn’t even know there was a review process and hang on a minute, I’ve only had friends and acquaintances in so far. Who would do such a nasty thing to me after they’ve seen all the hard work I’ve put into this? Ah, hang on a minute, maybe it was the Twirler I had in briefly at lunchtime. She seemed very pleasant but I did get the impression I wasn’t what she expected when she stood in the middle of the room and did a quick spin. “We’ll give you a good review” they say as they leave. “That’s if we can work out how to do it”.

An E mail comes in from my landlord. “Sorry, I tried to review you on the Open Studios website and only gave you 4 out of 5 by mistake. I thought you click on the stars and light them up until you get to your intended rating (like rating stuff on Amazon). However, it turns out that once you’ve clicked on a star, that star is the review done and you can’t change it”. That actually makes me feel better. Perhaps the one star review was a mistake. Let’s keep thinking that……….

The sun comes out. A couple walk by and come in. “What’s this?” they ask, looking interested. I explain the concept. “And is this all you?” she asks. “You’re brave!”. What does she mean, BRAVE? OK, let’s just suppress that angst. I’m sure she means it as a complement. They did write a very nice comment in the book after all!

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The “life” wall

Monday, Tuesday: A pattern has emerged. More students looking lost and desperate for somewhere to live. Starting to think the words “Open Studios” might be a bit confusing in context with the words “letting agent”.  Starting to think that instead of turning them away I should drag them in. Perhaps I could sell them a picture to hang on that wall that they don’t yet have, or a scarf to keep them warm while they trudge the streets looking.

Mid week: Where did all these people come from? I haven’t had a moment’s rest. I’ve got knitting to do you know! Look at all of those lovely comments in my book. I’m going to have to restock the greeting cards.  This is actually fun! One lovely lady brought me coffee and muffins, and then bought two pictures! I must be an artist! Go me!

Friday: More chats with worried parents looking for student accommodation. Right, you sir are going to have to walk around my exhibition before you are allowed to leave. It’s your fault for turning up in a car with a dog in the back. I am crazy dog lady and much of my work confirms this so you WILL look at it. There, that wasn’t so hard was it! Now you can go and find a home for your progeny.

The final straight: Weekends are definitely quieter than weeks. Who’d have figured? An arty friend pops in and chills out with me for a bit on the red sofa. “It’s probably because there is no one else around here exhibiting. People like to make use of their weekends with a densely populated area so travel time is limited, or visit group exhibitions where lots of different styles and subjects are accessible in one place”. Yep, that’s how I’d do it too!

Monday 31 August (day 10): Last day but no time to reflect. Much to my surprise I’m busy. A lovely morning spent with three lots of people I had invited and had assumed couldn’t make it. Lots of smiles while looking around and then time with me on the sofa fascinated by my workbooks and sketchbooks.  Then my neighbours turn up. How lovely!

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The view from the red sofa

3pm: Starting to wind down now. I should probably think about how I’m going to pack all this up. A bike turns up and another friend pops in. I am chuffed to think she has ridden her bike here to show her support and tell her so. “It helps that it stopped raining” she says.

5pm: It’s over except for the packing and the slight issue of where are we going to put all this stuff when we get it home. I enjoyed this. I got to meet some lovely people who left encouraging comments, I sold some stuff and I got to spend a week, knitting, surrounded by my art work. What’s not to like? I guess it was a brave thing to do after all, but worth it on a number of levels.

Back to the normal routine tomorrow and I know a certain Weimaraner who will be pleased that dog jogs are back on the agenda. I suppose I should also do a bit of the housework that has been put on hold for the past ten days. But then again I am halfway through an exhibition piece with a September deadline so perhaps it can wait a little longer……………

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I shall report you for Weimaraner cruelty if you don’t get those running shoes out!

Hampshire Open Studios 2015

This year I am very excited to be part of this fantastic tradition where over 200 artists and makers in the Hampshire area open up their studios, homes and other venues to show and sell work, talk to the public and demonstrate their working practices.  I have been beavering away getting work finished, framing and mounting, and of course sorting out my venue which has been kindly provided by Studentnofee Property Agency at 24 University Road, Southampton, SO17 1TJ.

open studios flyer

I shall be in situ daily from 22nd to 31st August, 10am until 5pm, possibly drawing, possibly stitching and probably feeding my current obsession with double knitting, and am looking forward to showing you my work and talking about what inspires me and the various mixed media techniques I use.  Do rest assured though that if you would rather be left to your own devices to quietly walk around without my chatter in your ear I shall have plenty of work to do so can leave you to it if you would prefer!  I am also happy to provide a (free of charge) knitting surgery if any of my visitors have UFOs that they are struggling with so bring your knitting, and can do demonstrations on the WIP I’ll have with me if the techniques I am using interest you.

"Nicky Barfoot mixed media pictures"

Some of the framed mixed media pictures which will be on display

The items I’ll have on display will include mixed media work, prints, textile pictures both framed and unframed, and wall mounted sculptures.

"Doggy Doodle by Nicky Barfoot"

“Bert” hand stitch on calico by Nicky Barfoot

If you are a regular follower of my posts you will already know that subject matter is usually (but not exclusively!) canine, feline or life inspired.

"Nicky Barfoot knitted picture"

“Frankie in grey” knitted picture

I will also have a few hand knitted accessories on display such as this double sided scarf in a cashmere and wool yarn (pink) and a rare sheep breed yarn (green).

"hand knitted double sided scarf"

Nicky Barfoot hand knitted double sided scarf

And of course, many of my designs are available as limited edition greeting cards and these will be available to purchase if any take your fancy.

"Nicky Barfoot limited edition printed cards"

Nicky Barfoot limited edition printed cards

Despite the manic last minute preparations, I’m now really looking forward to this event and it would be great to see some of you lovely people next week. The only downside is that as I am exhibiting on my own, I won’t be able to visit any of the other open studios this year.  Mmm maybe I can employ a stand in on one day?  So if you do arrive at the door and are greeted by a bald, bearded six foot plus male, he has to live and breath my art work (being subjected to it on a constant basis) so rest assured that he probably knows as much if not more about it than I do!