Well, that has got to be the shortest August ever? It was jam packed with exhibition visits, sculpture park perambulations, public garden sketching, drinking gin cocktails at a music festival (yep you heard correctly, it was a classy event) and enjoying a few cheeky fish and chip evenings by the sea side (we are so rock ‘n roll!). In amongst these happenings was wedged juried open exhibition entries, art work delivery trips and opening dos, paperwork and lesson planning for upcoming workshops, and a knit design itch that just had to be scratched (why I felt the urge to work with wool, silk-mohair and alpaca during the hottest month of the year I can’t say, perhaps the anticipation of cooler evenings and with it the return to wrapping up in cosy knitwear, hand knitted socks and boots (yay!)?).
So, firstly, all about me and what have I been creating? The latest of my new knitting designs is this rather cute looking kitty. I have been pleasantly surprised at the high level of interest I have had in the double knitting technique, so last weekend I put crayon to paper and created a new character to add to my existing chart collection. After a few false starts I eventually found a suitable yarn combination from my stash to test him in, and here he is, fresh off the needles in Sublime organic cotton DK and Rowan Felted Tweed DK.
He looks like a Sydney to me……
Or do I prefer…..?
I think he would look rather cute on a cushion, as part of a blanket, as the front of a knitted bag or on a child’s sweater? I have made the chart available in my Etsy shop (Sitting Kitty Knitting Chart) so you creative people can incorporate him into your own fabulous knitted creations (it would work just as well with intarsia as double knitting). I’m going to put my Sydney to one side while I design a few friends for him as I feel a TV snuggle blanket coming on (yep, I am getting old!). I’ll keep you posted.
Right, back to some of the other stuff. I grew up in Hertfordshire and I spent my teenage years during the summer months charging across stubble fields usually with a local farmer in his Range Rover (the old fashioned mucky and dented type that was bought specifically for towing livestock and driving off road, usually brown, dark green or burgundy, not the shiny white with black trim yummy mummy version we see these days parked outside school gates) hot on my hooves, to shouts of “Get off my Land!” Little did I realise during these adrenaline fueled adventures through the bridleways and fields around Perry Green that I was galloping past the home and estate of one of my now favourite artists, Henry Moore. This amazing sculpture park and house is open to the public during the summer months so during a weekend at the family home a couple of weeks back Mum and I thought it about time we paid it a visit. And I was sooo pleased we did.
Having seen Henry Moore sculptures in internal spaces such as Tate Britain, I didn’t really appreciate the scale of most of his work.
It was pure joy to see these fabulous structures placed in the landscape and then to get right up close to see the intricate marks on the surface (which apparently were all intentionally placed using various gouging and scratching tools such as bits of wood with nails stuck in). You are allowed to touch the work in the grounds (and photograph it) and the tactile nature of the scarred bronze in the sunshine was very seductive.
We even got to meet the sheep which inspired his famous sheep sketchbook (well probably not these actual three but you know what I mean).
As well as a very pleasant walk around the 60 acres of grounds and a visit to the workshops and tapestry barn (I finally got to see the (mainly) West Dean produced work I have heard so much about and it was awesome) we experienced the tour of the house. As no photos are allowed in there you’ll have to visit yourself to get an idea of the creative clutter that the Moore’s lived in. The house has been left as it was when he was alive and living and working from there, and is crammed full of the artefacts that inspired his work including african tribal masks and sculptures (he wasn’t well travelled apparently and most of these were given to him as gifts) as well as natural forms such as stones and shells, along with a few paintings from well known 20th century artists and a huge wall of reference books. It was wonderful to see how these treasured possessions fed his work.
I am hoping to revisit before the end of the season, this time with a sketchbook so I can draw some of these amazing structures. Apparently there is also a reason to visit next year as a big exhibition is planned to include work from other artists connected to Moore. I can’t wait!
Anyway, I have probably tired you out enough for one blog post. I have lots more to show you but they can wait. In the meantime I hope you all had a good Summer, hopefully with a bit of a break to enjoy it, and good luck to all you folks who are getting your offspring geared up for the new school year next week. Until next time…………