I couldn’t believe my luck when I noticed early this year that a Tapestry Weaving course with the lovely Caron Penney had been scheduled at West Dean College for my birthday week. Well, it would have been rude not to so off I trundled armed with tapestry frames and images from recent life drawing sessions hoping to use Caron’s expertise to find a satisfactory way of interpreting the latter into the former in a way that made good use of the uniqueness and sensitivity that this particular medium has to offer.
This warm up gesture drawing has been haunting me for a few weeks now but I hadn’t quite worked out what I was going to do with it. I had considered knitting it but would have had to change the character of the image away from line to form. Embroidery would have worked well but that would probably have been too close to the actual drawing so what would be the point? So weaving it had to be, but due to the enormity of the scale required to achieve the sensitivity of the line in a woven form for the whole image Caron suggested that I used a view finder over sections to see if anything took my fancy. The result: a whole new body (no pun intended) of work is now planned!
I managed to finish this first piece during the workshop and was pleased with how it came out. However, I think I will probably do another version, perhaps with a bit more blending to soften the lines a little. I also have some appropriately coloured mohair in my stash somewhere which might prove useful (but don’t tell Caron as I am sure this is probably cheating!). Frustratingly though, after warping up and starting the next image in the series, I have had to put the weaving on the back burner while I attend to more immediate commission and exhibition entry deadlines (oh and the small matter of the day job) but I am itching to get back to it. If only there were more hours in the day!
An unexpected positive to come out of this workshop for me was a realisation of the design potential of the good old fashioned photocopier. Not having used one of these beasts for more than 15 years and having only bad memories of paper tray jams and toner issues I think I might now be a regular at the local Rymans after discovering how wonderful charcoal lines on sugar paper look blown up. I am starting a coin collection as we speak for that very purpose.